Protecting the past
Identifieur interne : 000499 ( Main/Exploration ); précédent : 000498; suivant : 000500Protecting the past
Auteurs : Elizabeth Emery [États-Unis]Source :
- Journal of European Studies [ 0047-2441 ] ; 2005-03.
English descriptors
- Teeft :
- Amis, Annales politiques, Architectural heritage, Auguste rodin, Charles normand, Conservation movement, Designer albert robida, Elizabeth emery, Elizabeth emery emery, Emery, European studies, European studies figure, Exposition universelle, Figaro illustr, French history, Grande salle, Historical figures, Librairie robida, Middle ages, Miniature city, Montclair state university, Monuments historiques, National heritage, National interest, National treasures, Nineteenth century, Paris exposition, Parisian, Parisian history, Pierre nora, Revue, Revue artistique, Robida, Successful attractions, Such battles, Vieille france, Vieilles, Vieilles villes, Vieux, Vieux montmartre, Vieux paris, Vieux paris display, Vieux paris exhibit.
Abstract
The 1900 Paris World’s Fair prided itself on the modernity of its exhibits. Paradoxically, however, one of its most successful attractions proved to be Le Vieux Paris, a picturesque model city built along the Seine to ‘bring Old Paris back to life’. Designer Albert Robida chose not only to create a picturesque and entertaining model of life in old France, but to construct the exhibit as a locus of cultural memory. In it he glorified French accomplishments, while attempting to redress his contemporaries’ neglect of their shared architectural and literary heritage. Using the popular exhibit as a device for celebrating national achievement, he inspired widespread appreciation of French heritage, thereby invigorating a nascent conservation moment.
Url:
DOI: 10.1177/0047244105051155
Affiliations:
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Le document en format XML
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